Images Of Genital Tattoos

Trying to make it

" La maggior parte di noi vive sguazzando nelle fogne,
solo che alcuni stanno guardando le stelle " (Oscar Wilde)
Vinicio Capossela
Cercando di farcela, di Peppe Barbera e Andrea Nataloni (2009) Con Paolo Mercuri, Andrea Bartolini, Mauro Cavalieri, Massimiliano Cardente, Stefania Menghini, Pietro Rocco, Daniele Morgoni, Andrea Croia, Chiara Postacchini, Sandro Tramandoni, Simone Forani, Claudio Bellandi Con l'introduzione di Vinicio Capossela Musiche: Duke Ellington, Art Tatum, Count Basie, Tom Waits (38 minutes)

Suleiman

So wrote the blog You have to turn :

Saturday, December 19, 2009 AT 21.30
ALL THE CINE-TEATRO CONTI, Civitanova Marche, FOR THE FIRST FILM
"try to make it"

remember the protagonists of the film are the disabled children of the center of Civitanova Marche ONLUS ANFFASS
I was lucky enough to see the movies thanks to DVD I have donated Barbara and Claudio . A stroke of luck, because the short film involves moves, makes you smile, even laugh (and laugh heartily head). The idea of \u200b\u200bmaking a silent film (a comedy, as it was once), but immersed in the beautiful music of Duke Ellington, Art Tatum, Count Basie, Tom Waits, Ailati environments in 1930, using one of the extras Buster Keaton and Charlie Chaplin, to recall Jacques Tati and Federico Fellini (perhaps even the Baptiste's Les enfants du paradis ), all convey a creative joy, a these kids to do together special one better at the other, obviously delighted to take part in the film. I threw the image search, I believe I was very fortunate to find, and I leave the floor to Peppe and Andrea, who in an interview talk about their film a lot better than I can do. The words of Oscar Wilde says Vinicio Capossela beginning of the film and appears in the magnificent finale, the white screen, after both are gone and the sky with the sea gull.


INTERVIEW director of the film on
RADIOCITYLIGHT

Here we are finally talking to the two directors of the film "Looking for to make it "Peppe Barbera and Andrea Nataloni. First we give the announcement that the film is finished and ready. The first is due December 19, 2009 at the Cine-Teatro Conti.

Tell us to begin, the history of film.
PEPPE: explain, meanwhile, that ours is a medium-length film in that it lasts about 35 minutes. E 'in black and white and silent. Set around the 20s of the twentieth century. We created a homage to films of the era and the Great Cinema of Buster Keaton and Chaplin. Our work is, hopefully, "malincomica" in the sense that besides having a comic structure aims to make moving and thinking. We hope so.
ANDREA: The story we tell in the film tells the story of a homeless man and a mime. Of two desperate people trying to do it and that at some point become friends united by the same fate and the same dreams.
PEPPE: As a story with a setting that is retro, but in truth, it's just an excuse to talk with the news. It 's a metafora.Ciò happens to the two protagonists, or be persecuted by the system because they were guilty of being free and dreamers, is what is happening in this society where, precisely, is sent away and fining homeless because they "disturb the decorum urban. " In this little film we talk about the past, di emarginazione, dell’arroganza del potere, della bellezza che c’è nel rifiutare le regole. Del fascino dei sogni.

Ecco, questo aspetto del Sogno inteso come miraggio possibile, come meta, come motivo dominante dell’esistenza è un punto su cui avete insistito sin dall’inizio del film…
PEPPE: Si, l’elemento “Sogno”, si può dire, è stato il filo conduttore del nostro lavoro perchè volevamo fare un racconto che fosse un inno al Sogno. Perchè occorre custodirli i sogni, nonostante tutto. Perchè, come direbbe Jannacci, “la vita vive tra mosche e gelsomini” ma “un sogno è un sogno però è un sogno…”

Come avete organizzato questo lavoro durato un anno?
ANDREA: Per prima cosa ci siamo divisi i ruoli per competenze. Peppe ha scritto il soggetto e la sceneggiatura ed ha curato assieme a me la regia. Io ho fatto le riprese ed eseguito il montaggio. Ci siamo trovati bene anche perchè abbiamo le stesse idee estetiche, ci piacciono le stesse inquadrature.
PEPPE: Abbiamo gestito, in questo anno, un percorso a tappe. Dopo aver terminato la sceneggiatura ci siamo confrontati coi ragazzi dell’Anffas e futuri attori. Abbiamo mostrato loro il funzionamento della telecamera e di altri strumenti del cinema: dal ciak ai fari ed ai pannelli di polistirolo per le luci.
ANDREA: Poi abbiamo fatto numerosi provini coi ragazzi per assegnare ad ognuno il ruolo più consono e, dopo ciò, abbiamo realizzato lo storyboard pianificando, tramite disegni, tutte le inquadrature, scena per scena, che avremmo usato. Successivamente abbiamo dato inizio alle riprese. Infine c’è stato il montaggio.

Parliamo degli attori: come si sono comportati?
PEPPE: Prima di tutto vorrei dire che è stata una splendida esperienza lavorare coi ragazzi. Quello di cui vado fiero è l’atmosfera che s’è creata durante le riprese. There has always been a lot of fun. We all had fun. I will take this beautiful memory with me everywhere.
ANDREA: The same goes for me. I wanted to add that they all played very well, both boys and working for the and friends who have been rendered. All have made direct with discipline and enthusiasm. The boys are, among others, fell in parts so amazing. Besides years of preparation with the theater have trained them well.

you feel you are satisfied with the final work?
PEPPE: Usually are not satisfied with the artistic things that I realize, but we have reached a good quality. I love this little movie and I hope I have helped to make it poetic. I spent my emotions and my visions. And I hope I have repaid those who had faith in me.
ANDREA: We are grateful for the opportunity that's been given and we are committed a year to leave a good memory. In the end I think our result is better than expectations.

The Trailer is here